Solo Exhibitions and Installations

2004

Muzeum Sztuki, Lodz, Poland. The Jack Ox exhibition is in conjunction with Poland’s first major Kurt Schwitters exhibition in Poland.

Contemporary Arts Center, New Orleans, La

1999

@art gallery <http://www.art.uiuc.edu/@art> “JackOx creates a systematic visual translation of Kurt Schwitters, Ursonate for @art”, U. of Illinois at Urbana-Champaign


“The English Landscape Prints from Ursonate visualization”, Merzbotschaft Gallery, Ambleside, England.

1998

Die Alstervilla Stiftung zur Förderung zeitgenössicsche Kunst, Hamburg


Galerie Wolfram u. Andrea Cornelisen, (Georgeborn-Schlangenbad) Wiesbaden

1997

Stephen Gang Gallery, New York City

1996

Die Neue Galerie der Stadt Linz, (Austria)


Galerie Chobot, Vienna


Catharine Clark Gallery as part of SoundCulture’96, San Francisco

National Arts Club, New York City

1993

Galerie Schüppenhauer, Cologne

Frankfurt Art Fair (Galerie Schüppenhauer)

CeBIT computer fair with Xerox Engineering Systems, Hannover

Dellbrück Bank, Cologne

Galerie Chobot, Vienna

1991

Meyers/Bloom Gallery, Santa Monica, California

1990

Galerie Henn, Maastricht (Holland)

Kunsthalle, Bremen (Germany)

1989

Galerie Schüppenhauer, Cologne

1988

Galerie Chobot, Vienna (Austria)

Galerie Inge Baecker, Cologne

University of California, Irvine, California

1987

Het Apollohuis, Eindhoven (Netherlands)

Gloria Luria Gallery, Miami, Florida

1986

Schreiber/Cutler, Inc., New York City

Galerie del Naviglio, Milan (Italy)

California State University Dominguez Hills (Los Angeles)

1985

Condeso/Lawler Gallery, New York City

Galerie Geilsdörfer, Cologne

1984

University of Tulsa, Tulsa, Oklahoma

Galerie Geilsdörfer, Cologne (Germany)

1983

Contemporary Arts Center, New Orleans, Louisiana

1982

Semaphore Gallery, New York City

Brooklyn Academy of Music, Brooklyn New York

Berry College, Mt. Berry Georgia

1981

La Maison Française, Columbia University, New York City

1980

Tyler School of Art, Temple University, Philadelphia PA

1977

Floating Wall Gallery, Santa Ana California

University of California, San Diego

Group Exhibitions (selected)

2002

“Creativity and Cognition”, Loughborough University UK.

“Complexity”, Samuel Dorsky Museum of Art, SUNY New Paltz, NY


"Art & Music", Galerie Marlene Frei, Zürich, Switzerland

2001

“Art & Music”, Galerie Anton Meier, Geneva, Switzerland

“Between Sound and Vision”, Gallery 400, College of Architectur and the Arts, University of Illinois at Chicago

1999

“The Sight of Sound”, Transamerical Pyramid Lobby, San Francisco, California

1998

“Second, Third and Fourth Movements of the Ursonate”, Podewil, Berlin

1997

“Zwei Videodokumente von dm Butsch”, Das Institut, Berlin

1996

“Vom Ruf zum Nachruf”, Landesausstellung um Stift St. Florian, Linz (Austria)

1995

"From Dada through Ulm to Mama", Universität Ulm und Ulmer Kunststiftung, Ulm (Germany)

“Inspiration”, Trans Hudson Gallery, Jersey City, New Jersey (NYC)

1994

"Matter Matters [Navigating the terrain of contemporary painting]", Procter Art Center Bard College, Annandale-on-Hudson, N.Y.

"Inaugural Exhibition", American Assoc. for the Advancement of Science, Washington D.C.

1993

Salon De Musique, Suite de Printemps; Partitions et Notations" Galerie Lara Vincy, Paris

"Das Bruckner-Bild im Wandel", Bruckner-Fest, Würzburg (Germany)

"Kleine Formate II", Galerie Der Spiegel, Cologne

1992

Hood Museum, Dartmouth College, New Hampshire

"FLUXUS-VIRUS", "Temporary Museum" at the Kaufhof-Parkhaus and Kölnischer Kunstverein, Cologne, Aktionsforum Praterinsel Munich

1991

"Formen hören--Klänge sehen", Neckarwerke, Esslingen (Germany)

"Wort/Laut", Galeria Spàla, Prague

1990

"No Trends," Nahan Contemporary, New York

"World Music Days", Sonja Henie og Nils Onstad Stiftelser, Hövikodden (Oslo, Norway)

"Overtures", Irvine (California) Medical Center Gallery

1989

"Wort/Laut," Galerie Schüppenhauer, Cologne, and Museum Haus Kemnade, Bochum

"Magie der Farbe", Kunstverein Zwettl an die Niederösterreich- Geselschaft für Kunst und Kultur (Austria)

"Studio Gallery American Collection", Centrum Sztuki,Warsaw (subsequent travel to Zakopane, Suwalki, other Polish cities)

1988

“Twelve From New York: Recent Acquisitions for the Nordstern Collection", Grey Art Gallery, NewYork University

"Lignes et images: sept artistes américains aux modes complexes", Galerie Anton Meier, Geneva

1987

"--auf ein Wort! Aspekte visueller Poesie und Musik", Gutenberg Museum, Mainz

Friends of Louise Tolliver Deutschman", Paris-New York-KentGallery, Kent Connecticut

"Musique et Peinture", Musée Municipal de Cholet (France)

1986

"Capriccio",Palais des Beaux-Arts, Brussels

"Illuminations: The Art of Our Future", Art & Industrie, NY

1985

"L'Art est un jeu", Atelier St. Anne, Brussels

"Vom Klang der Bilder", Staatsgalerie Stuttgart

"Earsights: Visual Scores & Musical Images", Nexus Gallery, Philadelphia (traveled to Southern Alleghenies Museum, Johnstown Pennsylvania)

1984

"Newscapes: Land and City/States of Mind", One Penn Plaza, NY

"Music to My Eyes", Pyramid Gallery, Rochester, NY

On the Wall/On the Air: Artists Make Noise", Massachusetts Institute of Technology, Cambridge, Mass.

1983

"Earworks", Grommet Gallery, New York

"On the Leading Edge", General Electric Corporate Headquarters, Fairfield Connecticut

1982

"Cloudworks", Neill Gallery, New York

"Sonorita Prospettiche", Comune di Rimini (Italy)

"The Monument Redefined" (Gowanus Annual II), Brooklyn NY

1981

Second Annual Heresies Benefit Exhibition, Grey Art Gallery, New York University, New York

1980

"System Inquiry Translation", Touchstone Gallery, N.Y.

"U.S. Art '80", Ericson Gallery, New York

"On the Shelf Invitational", 15 Sculptors Gallery, N.Y.

1979

"Five Sculptors", Nobe Gallery, New York

"Sound (Scores and Notations)", Institute for Art and Urban Resources at P.S. 1, Long Island City, New York

1978

Project Participation, Sponsorships, and Grants

2005-06

Co-curator of Abstract Visual Music Exhibition for the Digital Salon at the School of Visual Arts, New York City

2005

2000

1998-99

1993

1989

Jahresgaben artist, Kölnischer Kunstverein, Cologne,

1987-89

Art in the Embassies Program, U.S. Embassy, Seychelles,

Performances/ Lectures/ Papers (selected)

2008

CAA's New Media Caucas, Online Journal; Journal: Media-N, "Intermedia Patterns: Notes for Building a Toolkit", by Paul Hertz and Jack Ox, March 2008. http://median.shiftingplanes.org/issues.php?f=papers&time=2008_spring&page=front

New Mexico Cyberinfrastructure Day, "21^st Century Relevance: Gridjam", New Mexico Highlands University, March 10 & 11, Las Vegas, New Mexico.

Center for Computation and Technology at Lousiana State University: Computing in the Arts and Humanities Lecture Series, Gridjam.

2007

Tutorial: "Visualization and the Art of Metaphor", 6th Creativity & Cognition Conference, Seeding Creativity; tools, Media, and Environments, Washington, DC

SuperComputing'07, Education Program; Humanities, Arts and Social Sciences; Gridjam, Reno, Nevada.

2006

OptIPuter; All Hands meeting and Open House, Calit2@UCSD, La Jolla, CA- for streaming video please go to http://www.calit2.net/newsroom/article.php?id=1025

From Space To Place: 2nd International Conference on Remote Sensing in Archaeology, Virtual Reality and the Art of Experience, co-authored with Judith V.der Elst, Dec. 4-8, Rome.

2005

2004

Tate Britain Museum, London , England. “MERZ-LAND: Kurt Schwitters in England”.

2003

"Artspeak", Contemporary Art Center, New Orleans, La.

University of California at San Diego School of Medicine “Humanism in Medicine”

McDonough Museum, Youngstown State University, Youngstown, Ohio

2002

Key Note Speaker at “Creativity and Cognition2002”, Loughborough University, UK

“Quintessence: The Clumpy Matter of Art, Math and Science Visualiation”, The Banff New Media Institute , The Banff Centre, Canada.

ISEA (Inter-Society for Electronic Arts), Co-chair with Paul Hertz: “Intermedia Art in the Digital Age”, and paper given: “2 Performances in the 21st C. Virtual Color Organ ^TM"

2001

4th International Digital Arts and Culture Conference, Brown University, Providence, Rhode Island. Symposium in Art and Technology: Immersive Environments, .Block Museum of Art, Northwestern University, Chicago, Ill.

Siggraph, Co-chair with Paul Herz: “Erasing the Boundaries: Intermedia”, also own paper on “2 Performances in the Virtual Color Organ^TM", Los Angeles, CA.

Seventh International Conference on Virtual Systems and MultiMedia, Enhanced Realities: Augmented and Unplugged, “2 Performances in the 21st. Century Virtual Color Organ^TM: GridJam and Im Januar am Nil", University of California at Berkeley

CRCA (Center for Research in Computing and the Arts)and CAL (IT)2
University of Calif. at San Diego.

2000

College Art Association, “Color Me Synesthesia” on the panel “Music of the Spheres” chaired by Greta Berman and Charles Gross, New York City

International Conference on Complex Systems, New England complex systems Institute “A Complex system for the Visualization of Music, Including the Journey from 2D to Virtual"

Wired and Dangerous” The Impact of Technology on the Creative Process, , Leicester, England. Paper given (and webcast) , on panel of Ernest Edmonds.

Arts and Technology Center, University of New Mexico, Albuqurque. Lecture and workshop with David Britton, collaborator in the Virtural Color Organ^TM: first attempt at GridJam on the AccessGrid between BU and UNM.

MIT, Center for Advanced Visual Studies, seminar on Ox work.

“INTERSENS; correpondances & nouvelles technologies”, Laboratoire Musique et Informatique de Marseille [MIM} Paper give by Jean-Yves Bosseur on the work of Jack Ox and paper given by Jack Ox on the Virtual Color Organ^TM.

1999

“Invencao: thinking the next mellennium programme”, sponsoredby ISEA, Leonardo, CAiia-Star, and ItaU cultural;Sau Paulo, Brazil

Alliance Chautauqua 99, Boston University, “Innovations in Science, Computing, and Grid Technology”, Boston, Mass.

“Merzbarn: Kurt Schwitters in England”, International conference about the Marzbarn and its critical legacy at Ambleside and Langdale, Cumbria, England.

“The 21st Century Vitual Color Organ^TM”, for the Cyberarts: A New Aesthetic at The Center for Advanced Study, and the Beckman Inst. for Adv. Science and Technology at the U. of Illinois, Urbana- Champaign.

“ARTSCI 99, nurturing collaboration”, Artist-Scientist Teams- Jack Ox & David Britton, New York

1998

1997

1996

1994

1993

1991

Bauhaus-Archiv, Berlin

Hochschule für Musik, Cologne

Juilliard School of Music, New York

Otis Parsons School of Art, Los Angeles

1990

International Bruckner Symposium: Anton Bruckner Institute, Linz (Austria)

1987

Julliard School of Music, New York

1985

"Music To My Eyes" panel, "Artists Talk on Art: series”,

22 Wooster Street Gallery, New York

1982

Manhattan School Of Music, New York

Visiting Artist, Research Fellowships, and Board of Directors/Editorial Boards

2007

Advisory Council for the Center for Visual Music, Los Angeles, California

2006- present

Artist in Resident and Research Associate at the ARTSLab, University of New Mexico

2003

Visiting Artist at CRCA and CAL(IT)2 at the University of Calif. at San Diego.

2002

Visiting Artist residency at the Art and Technology Center, and the Albuquerque High Performance Computing Center at the University of New Mexico

Visiting Fellow at Creativity and Cognition, LUTCHI Research Centre, U. of Loughborough,UK

2002

Visiting Fellow, Department of Computer Science, LUTCHI Research Centre, U. of Loughborough, UK

2002-present

Board of Directors New Radio and Performing Arts, Inc.

2000-present

International Co-Editor, Leonardo Journal of Art and Science

1999-2001

Co-editor of Special Section in Leonardo called “Synesthesia and Intersense (co-editor is Jacques Mandelbrojt

1999-2003

Board of Directors for Art Science Collaborations Inc.

1993

Jury member for "Multiple Sounds Festival" Competition for Young Artists, Intro Foundation, Maastricht (Netherlands)

1987-2000

Editorial Advisor, Leonardo Journal of Art and Science

Teaching Positions and Residencies

2006

University of New Mexico: "Visualization and Metaphor", co-taught with Judith v der Elste at the ARTSLab, Albuquerque, NM.

1986

University of California, Irvine, Ca.

1984

University of Tulsa, Tulsa, Oklahoma

Rhode Island Scool of Design, Providence, RI.

1983

University of Texas at Arlington, Tx.

University of Colorado, Boulder, Co.

Articles by Ox

with Peter Frank, "The Systemic Translation of Musical Compositions into Paintings", Leonardo, Fall 1984 [vol. 17 nr. 3], Pergamon Press

"Editorial: Intellectual Versus Property Rights", Leonardo, January 1993 [vol. 26 nr.1] MIT Press.

"The Systematic Translation of Anton Bruckner's Eighth Symphony into a Series of Thirteen Paintings (slide lecture)", Bruckner-Symposion 1990 Berichte, Linz 1993 [Anton Bruckner Institut Linz, Linzer Veranstaltungsgesellschaft  mbH]

"Bilder nach Kompositionen", Positionen, Nov. 1993.

"Creating a Visual Translation of Kurt Schwitters's URSONATE, Leonardo Music Journal, 1993 [vol. 3, pp. 59-61], MIT Press.

Hossmann, Gisele and Jack OX, “Jack Ox-From Merz to Ur; Kurt Schwitters Hanover Merzbau and Ursonate, Visual reinterpretation and realization”, New Architecture The End of Innovation in Artchitecture [1998 [Number 2, pp.116-119], Papadakis.

reprint "Creating a Visual Translation of Kurt Schwitters's URSONATE (from LMJ) in Ylem Aritst Using Scienc and Technology newsletter, Jan/Feb 1999 [Vol 19/Number 2, pp. 13 & 15]

“Color Me Synesthesia”, Leonardo, 1999 [Vol.32, No. 1, pp.7-8}

Introduction “Synesthetic Fusion in the Digital Age”, Leonardo, Digital Salon Issue,1999 [vol 32, No. 5, pp. 391-92]

Jack Ox and David Britton, “The 21st Century  Virtual Reality Color Organ”, IEEE MultiMedia,  Journa. of IEEE Computer Society, July-September 2000

“2 Performances in the 21st. Century Virtual Color Organ: Gridjam and Im  Januar am Nil”,  Proceedings of the 7th International Conferece on Virtual Systems and MultiMedia , IEEE Computer Society, Los Alamitos, Calif., 2000.

“Visualization and the Art of Metaphor in the 21st C. Virtual Organ”, YLEM   newsletter  “Visual Vicissitudes: Digital and Otherwise”, Numbers 10 and 12, Vol. 21, Nov/Dec 2001.

“Editorial: The Global Artists’ Diaspora and the LambdaRail” Leonardo , [Vol. 39, No. 5, p 389, 2006]

Campana Stefano, and Forte Maruizio, editors of “From Space to Place,  proceedings of the 2^nd Int. Workshop, Rome, Italy. “Space and Time: Virtual Reality and the Art of Experience”, by Jack Ox and Judith v. der Elst, 2006.

Paul Hertz and Jack Ox,"Intermedia Patterns: Notes for Building a Toolkit", CAA's New Media Caucas, Online Journal; Journal: Media-N, Spring 2008 [v.04n.01].

 

 

 

Books/ Video Documentaries

Bibliography (selected)

[ author unknown], “Play It Again...in Blue”, Vasari diary, ARTnews, Jan. 1996, [pg. 34]
Bonfiglioli, Rossella, "Sonorita Prospettiche," Flash Art (Italian
edition), March 1982
Brandes, Uta, "Jack Ox: Frozen Music," Apex, Heft 4/88
Brody, Jacqueline, review, The Print Collector's Newsletter, May-June 1985 [vol. XVI nr. 2]
Bookhardt, D. Eric, "New Orleans, Louisiana" ,ART PAPERS, November/December 2004.
Cleigh, Zenia, "Taking a Bite Out Of the Big Apple," San Diego Tribune, June 30, 1986
Curtis, Cathy, "For Jack Ox, Much Is Found In Music-To-Art Interface", "Los Angeles Times, October 3, 1988
Delk, Laurie, "Jack Ox & Music", THE NEW ORLEANS ART REVIEW, Sept./Oct./Nove 2004.
Eickhoff, Beate, "Der Ton macht hier das Bild (Arbeiten von Jack Ox zuSchwitters; "Ursonate")", Kölner Stadt- Anzeiger,Aug. 31, 1993
Engelhard, Günter, "Musik für das Auge, Malerei für das Ohr," Art, December 1989
Frank, Peter, "Unslick in L.A.,"Art in America, Sept.-Oct. 1978 [Vol. 66 nr.5]
Frank, Peter, "What's Happening in Contemporary Art,: Diversion, April 1980 [Vol. 8 nr. 4]
von Frank, Susanne, "Visuelle Konzerte", Nike, March-April 1990
Schrader-von Frank, Susanne, "Partitur zur Ursonate von Kurt Schwitters". Kunst Köln (Berlin) September, 1993 [2/93]
Friedman, Ken, "Happenings," National Arts Guide, July-August 1979[Vol. 1 nr. 4]
Fuhrmann, Axel, "Klang und Bild; Die visuell-musikalischen Konzepte der Jac Ox", Neue Zeitschrift für Musik, July, 1994
Glueck, Grace, "Drawing a Bead on Public Monuments," New York Times, [section 2: Arts & Leisure], Ocotber 2, 1982
Glueck, Grace, "Art: Isaac Witkin's Lyrical Sculpture," New York Times, May 3, 1985
Haase, Amine, "Mühsal beim Aufbruch (Kunstmesse Art Frankfurt zwischen "Grüner Vernunft" und teurer Klassik)", Kölner Stadt-Anzeiger,April 26, 1993
Horny, Henriette, "Jack Ox," Falter (Vienna), February 10, 1988 [nr.6]
Kemp, John, "Jack Ox, Contemporary Arts Center, New Orleans, ART NEWS, March 2005.
Kixmüller, Jan, “Wie stoppt man das Verschwinden Bachs?” Klang-und Bildexperimente im Podewil” Berliner Zeitung, March 12, 1998
Laufmann, Heike, "Jack Ox 8. Symphonie von Anton Bruckner, Köln", Arte Factum, Feb-Mar, 1990
Law, Stuart "The halls are alive with the sight of music," Rochester [N.Y.] Times-Union, December 12, 1984
Lawton, Michael, "Eating art in a car park" The European, 17-20 Sept, 1992
Lebrero Stals, José, "Jack Ox" in Reviews Cologne, Flash Art, [Vol. XXVI-N.170]May-June 1993
M___,W____, "Bruckner in Öl, " Kölner Stadt-Anzeiger, Sept. 15-16,1984
Morgan, Robert C., “Doric Column”, Cover, Nov., 1995 [Volume 9, Number 8]
de la Motte, Helga,"Übersetzungen-Transormationen", Positionen, Nov.,1993.
Murdock, Robert M., “Jack Ox: Visualization of Kurt Schwitters’ Ursonate “, Review, November 15, 1997
Nobis, Beatrice "Nennen Sie es Ausschlachtung" Süddeutscher Zeitung, May 26, 1993
O____,T____, "Augenmusik," Aachener Journal, May, 1990
Pardee, Hearn, "The New American Landscape", Arts Magazine, May, 1984 [Vol. 58 nr. 9]
Peters, Susan Dodge, "Sight & Sound", (Rochester) City Newspaper, January 10, 1982
Phillips, Christopher, "Schwitters's Greatest Hit Resurfaces," Art in America, May, 1994
Pfleder, Adam, "Optical technology aids in internet collaboration. Orchestras could broadcast in real time", 1/24/08 Section Entertainment

Porges, Maria, Reviews: San Francisco, “Jack Ox at Catharine Clark Gallery, Art Forum, Summer 1996
Ratcliff, Carter, "Looking At Sound", Art in America, March-April, 1980 [Vol. 68 nr. 3]
Reichart, G., “Klang, zum Bild geworden”, Volksblatt (Linz), Sept. 5, 1996
Rice, Shelley, "System Inquiry Translation" in "Reviews", Artforum, September, 1980 [Vol. XIX nr. 1]
Rickey, Carrie, "Voice Centerfold--Art", Village Voice, June 18-24, 1980
Runge, Petra, "Raubkopie bewahrte Stimme des MERZ-Künstlers (Quellenfund: Die Malerin Jack Ox fand das Original der Ursonate")", ART (German), October , 1993 [Nr. 10]
Sachsenmaier, Ingrid, "Erlebniswelt 'Kunst' mit hörbaren Formen und sichtbaren Klängen", Fellbacher Zeitung, Oct27, 1990
Schatz, Sibylle, "Begegnung mit Anton Bruckner", Kölner Stadt-Anzeiger, September 21, 1989
Schatz, Sibylle, "Klänge schaffen den leeren Raum, Kölner Stadt-Anzeiger, January 26, 1988
Siffrin-Peters, Annette, "Musik und Malerei vereint," Aachener N, April 28, 1982
"Sonorita Prospettiche da domani a Rimini," Gazzetta di Parma, January 29, 1982
Stahl, Enno, "Das große Fragezeichen, Vor der Köner Fluxus-Ausstellung: Gespäch mit der Künstlerin Jack Ox, dem Zeitzeugen Al Hansen und der Galeristin Christel Schüppenhauer, Kölner Stadt-Anzeiger August 29/30, 1992"
"Ein Auto am Spieß-- Fluxus 1962-Virus 1992",Kölner Stadt-Anzeiger, Sept. 1, 1992
"Schwitters' Ursonate ins Bild gerückt", Kölner Stadt-Anzeiger, Feb. 19, 1993
Tauber, Reinhold, “Bruckners Achte als faszinierendes Schau-Abenteuer in Linz”, Oberösterreichische Nachrichten,
Sept. 5, 1996
Tuchman, Laura, "Painter Puts Art to Music of Bruckner," Orange County Register, October 2, 1988
Ü_____, D____, "Die Farbe der Musik wird sichtbar,: Kölner Stadt-Anzeiger, December, 13, 1985
Woodard, Josef, "Translations and Transformations", Artweek, November 12, 1988 [Vol. 19 nr. 38]
[unidentified], "Jack Ox schildert acht jaar Achstte Symfonie Bruckner", De Limburger, April 20, 1990
[unidentified], "Jack Ox - Anton Bruckner - Symfonie Nr. 8", Apex, Heft Nr. 10/88
[unidentified], "Musik-Kunst: Bruckner in Farbe (Gespräch mit der Kölner U.S. Künstlerin Jack Ox)", Tageszeitung (Kultur Bremen), June 20, 1990
Vowell, Sarah, "Recordings: Kurt Schwitters, URSONATE", Art Papers, Jan. & Feb., 1995 [Volume 19, Number

Broadcast Reviews/ Interviews

Apple, Jackie, "Soundings," KPFK Los Angeles, May 24, 1994
Baumsteiger, Cornelia, "European Journal",Deutsche Welle Fernsehen (English service), Cologne, Fall-Winter 1984
Bendelow, Paul, "Interview; Jack Ox", Radio Deutsche Welle, (English for Europe), Sept. 24, 1993
Benesch, Marlene, "Arts on the Air:, Radio Deutsche Welle (English service), Cologne, Fall 1984
Busmann, Gerrit, "Kulturfenster: Portrait Jack Ox", West Deutscher Fundfunk,Cologne, March 9 1988, Redaktion: Dr. P. Fuhrmann
Eda, Christa, "Leporelo", ORF Ö1, October 13, 1993.
Fuhrmann, Axel, "Fümms bö wö tää zää Uu, oder Wer es einmal hörte Der glaubt es nicht", DS-Kultur, Berlin, Nov. 16, 1993
Gaertner, Joachim, "Kultur Aktuell: Kurt Schwitters "URSONATE" in der Originallaufnahme auf CD", Bayerischer Rundfunk, Tuesday, Aug. 17,1993 [8:35-8:45, Bayern 2]
______________, and Monika Schuck, "Actuelle Stunde", West Deutscher Rundfunk, Cologne, fall 1989
Leukert, Bernd, "Rund um die URSONATE",[2nd Program, 10:00 PM], Dec. 7,1993, Hessischer Rundfunk.
Mahlow, Dieter, "Chaosordnung", Südwestfunk, Baden-Baden, Feb. 1992
Meyer, Peter, "The Chelsea Tapes", Sveriges Radio, Stockholm, Summer 1986
Mießgang, Thomas, Diagonal, "Schwitters's Ursonate", Ö1, October 30, 1993
ORF ö1 Morgenjournal, “eine Meldund mit O-ton”, Sept. 5, 1996
Perneczky, Gêza, "Jack Ox's durch Musik strukturierte Bilder bei der Galerie Geilsdörfer in Köln ausgestellt", Radio deutsche Welle (Hungarian service), Cologne, November 1985
Riehl, Friedrich, "Mosaik" (live interview), West Deutcher Rundfunk, 8:00 AM, Oct. 4, 1993.
Schenk, Christian, "Jingle 38", ORF Radio, Linz, September 20 1990

Cover Reproductions

Creativity and Cognition 2002 proceedings, Loughborough University, UK 13-16 October

Donald Crockett/Stephen Hartke, Orion Recordings ORS 84470

Fanfare Magazine, March-April 1980 [vol. 3 nr. 4]

Franklin, Joseph, Settling Scores A life in the margins of American Music. 2006.

In Performance, November 1982 [vol. 1 nr. 3]

Leonardo, 1991 [vol. 24 nr. 4]

THE ELEMENTS OF MUSIC, Vol. 1 & Vol. 2, Second Edition, Ralph Turek, 1996, McGraw-Hill, New York.

Collections (selected)

AXA Nordstern Allgemeine Versicherungs-AG, Cologne
AXA Nordstern/Colonia, Wien
Atlantic-Richfield Corporation, Dallas, Texas
Alternative Traditions in Contemporary Art, School of Art and Art History, University of Iowa, Iowa City
Museum Boymans van Beuningen, Rotterdam
Sonja Henie og Nils Onstad Stiftelser, Hövikodden, Norway
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Staatsgalerie Stuttgart
Federal Reserve Board, Washington D.C.
Graphisch Sammlung Albertina, Wien
General Electric Corporation, Ridgefield, Connecticut
Herbert and Virginia Lust Collection
Madison Green corporation, New York City
Muzeum Sztuki, Lodz, Poland
Neue Galerie der Stadt Linz, Linz, Austria
Morgan Guaranty Trust, Inc., New York City
Northern Trust Bank, Dallas, Texas
Pritzker and Pritzker (Hyatt Regency), Chicago
RCA Records / Bertlesmann Group, Inc., New York City
Ruth & Marvin Sackner Collection, Miami Beach, Florida
Gilbert & Lila Silverman Collection, Southfield, Michigan
Xerox Engineering Systems, Germany